A record that reimagines the relationship between the piano and a set of drums and proposes a unique musical vernacular, one that fuses these two distinctly percussive instruments into an expansive, droning, polyrhythmic tapestry.

A characteristic, multifaceted sound, virulent rhythmic flows and euphoric improvisation, echoes of minimalism and intensifying staccati, powerful dynamics and trance-like atmosphere.

Rapture displayes the exciting starting point. It's an encounter of African drum music, the harmonics of Claude Debussy, the energy of Rage against the machine, the ambient of William Basinski, the melancholy of Radiohead and Ornette Colemans joy of playing.